all beats

beat

thinkinbout$$hi

135 bpm

0:00 / 2:22 · full track

track details

genre
ambient, hip hop, trap
mood
bouncy, calm, energetic, majestic
instruments
bass, keys, synth

choose your package

non-exclusive

MP3 Licence

CHF 50

MP3 master

A ready-to-use audio file for your song.

50% composition · producer side.

non-exclusive

WAV Licence

CHF 100

MP3 master + WAV master

Full-quality audio for recording and release.

50% composition · producer side.

non-exclusive

Stems Licence

CHF 150

MP3 master + WAV master + Trackouts / stems (ZIP)

Separate tracks for a detailed mix.

50% composition · producer side.

Usage included with every package

Unlimited streams, sales, music videos, radio plays and live performances.

Usage & rights
release & performance
Unlimited streams, sales, music videos, radio plays and live performances.
other placements
Film, TV, games and third-party advertising require a separate agreement. See the contract for song promotion.
credit
Produced by CHFDRAKO
ownership
You own your finished-song master, subject to the underlying product licence. CHFDRAKO retains ownership of the original recording and composition.
composition
50% producer side / 50% other writers of the resulting composition.
master income
0% to CHFDRAKO.
content id
No automated recording claims over the shared beat. Ordinary distribution, composition registration and publishing royalty collection are allowed.
duration
Worldwide, for the copyright term; one finished track, subject to breach provisions
+ full agreement

MP3 Licence / WAV Licence / Stems Licence · version 1 · 2026-09-13

NON-EXCLUSIVE LICENCE AGREEMENT

1. Parties and licence purchase. This agreement is between the seller identified in the order, trading as CHFDRAKO (the Producer), and the buyer identified in the order (the Licensee). The order identifies the licensed product (the Product), file package, price and accepted contract version. The licence takes effect upon successful payment. The purchase price is a licence fee, not an advance against songwriting royalties. The named Licensee must be the person or entity entitled to use the Product. A person buying for an entity must have authority to bind it. A minor must purchase through a parent or guardian who accepts the agreement as Licensee on their behalf. Mandatory consumer rights remain unaffected.

2. One finished track. The Producer grants a worldwide, non-exclusive licence to incorporate the Product's recording and composition into one new finished track, with or without vocals (the New Track). Arrangement, tempo and key changes, mixing and mastering are permitted for this purpose. Clean, explicit, radio, sped-up and slowed-down edits, and live recordings of the same track are included and retain the agreed composition shares. A different song, a different artist creating a new song, or a remix adding a new composition requires a separate licence or written permission.

3. Release and promotion. The Licensee may commercially distribute and monetise the New Track with unlimited streams, sales/downloads, music videos, radio plays and live performances. Lyric videos, social clips and paid advertising promoting the New Track itself are included. Use in films, television, video games or advertising for other brands, products or services requires a separate written agreement with the Producer and permission from any other relevant rights holders. Rights administered by collecting societies remain subject to their applicable licensing arrangements.

4. Files and collaborators. Only the file package identified in the order is included. The Licensee may work with producers, vocalists and other contributors to create the New Track and authorise a collaborating artist, distributor or label to release and exploit that track within this licence. Contributors may receive files only as needed for that production. The Licensee must ensure that collaborators and release partners comply with the applicable use, credit, composition-share and recording-claims restrictions, and remains responsible for compliance. This permission does not transfer the licence or allow the Product or a developed beat to be sold or licensed for use in other tracks. The Product or its components may not be released on their own, resold or redistributed as beats, samples or stems. No ownership of the underlying Product is transferred.

5. Ownership and income. The Licensee owns the finished New Track master subject to the underlying Product rights licensed here. The Producer retains ownership of, or its existing rights in, the original Product recording and composition. The Producer receives 0% of the New Track's master income. The Licensee bears its own distribution, recording and promotion expenses; these do not reduce the producer-side composition share.

6. Composition shares. The producer side retains 50% of the entire New Track composition; the artist-writing side receives the other 50%. Any Producer collaborators divide the producer-side allocation according to their agreement. The Licensee must obtain agreement from its writers within the artist-side allocation. Each side retains its own publishing interest, subject to existing administration agreements; this licence grants no publishing administration mandate over the other side. Different allocations or additional sample-owner shares require a written agreement before release.

7. Credit and registration. Credit the release as "Produced by CHFDRAKO" where supported, and identify Sasha Gamba and all other contributors accurately in songwriter metadata. Before release, the parties must exchange and confirm one writer schedule stating the track title, each writer’s legal name, share of the whole composition and society/IPI details where available. The Producer supplies its writer and collaborator details; the Licensee supplies those of its contributors. The schedule records the agreed shares and cannot change them without written agreement. Provide the ISRC and release link when issued. Work registrations must match the agreed shares; neither party may claim sole authorship. Royalties already paid for the same rights and uses through platforms or collecting societies are not payable a second time under this agreement.

8. Automated claims. Neither party may submit the Product or the New Track as a sound-recording reference to YouTube Content ID or any similar automated system that would assert exclusive recording rights over the shared Product, including through a distributor. This restriction does not prohibit accurate composition registration or lawful publishing royalty collection by a publisher or collecting society. Neither party may assert rights in another buyer's original contributions. Ordinary distribution to music services, including YouTube Music, is permitted. Each party must promptly cooperate to release mistaken claims arising from its actions against uses authorised by this licence.

9. Other buyers and later exclusivity. Other customers may license the same Product. A later exclusive agreement does not revoke this licence or prevent continued authorised exploitation of the New Track. The Producer must disclose existing licences to any exclusive buyer. The Licensee cannot grant exclusive rights to the underlying Product.

10. Rights clearance. The Producer confirms that it controls sufficient rights to grant this licence. Any third-party material and outstanding clearance requirements must be disclosed before purchase. Each party must promptly notify the other of a rights claim, provide reasonably available evidence and cooperate in its resolution. The party responsible for the disputed material must address its clearance. If rights promised by the Producer cannot be supplied, the Licensee may request a suitable replacement by mutual agreement or a refund of the affected licence fee, without limiting mandatory remedies. Neither party may settle a claim in a way that imposes obligations on the other without its written consent. The Licensee is responsible for rights in its own added vocals, recordings and other material. Neither party may promise rights it does not control. Outstanding third-party permissions must be resolved before the affected use.

11. Duration and breach. The licence continues for the duration of the relevant copyrights. It cannot be revoked merely because the New Track is successful or an exclusive licence is later sold. For a material breach, the non-breaching party must give written notice identifying the breach and allow 30 days to remedy it before terminating. Termination ends future exploitation under this licence without transferring ownership of either party's contributions. Mandatory legal remedies remain unaffected.

12. Delivery and disputes. The paid order records the deliverables and provides access to the purchased files and accepted licence. Contact the seller identified in the order for delivery issues or disputes. Swiss law applies, subject to mandatory protections applicable to the buyer. Courts in Zurich have jurisdiction to the extent legally permitted; mandatory consumer jurisdiction rules prevail.

13. Misdirected royalties. A party receiving royalties belonging to the other must notify that party, provide the relevant statement and remit the amount within 30 days of identifying the error and receiving necessary payment details. No deduction for recording, marketing or unrelated costs is permitted. This is not a requirement to report or share the Licensee's own master income.

14. Refunds and payment disputes. Report missing, corrupt or incorrect files to the seller for correction or replacement. A change of mind alone does not create a contractual refund right; mandatory withdrawal and defect rights remain unaffected. A mutually agreed full refund that cancels the licence ends future use of the affected Product unless the parties agree otherwise in writing. The Licensee must then stop new distribution and request removal of existing releases within 30 days, to the extent under its control. A partial refund does not cancel the licence unless expressly agreed. A pending payment dispute alone does not transfer ownership or automatically terminate the licence; the notice and remedy provisions still apply.

15. Notices and changes. Send notices to the seller contact email stated in the order and the buyer email supplied at checkout. Each party must keep its contact details current. A breach notice must identify the issue and requested remedy, and the remedy period starts on receipt. Bounced notices must be resent using another available contact method. Amendments require both parties' written agreement, including email, identifying the order and change. Later website, catalogue or template changes do not alter this purchased licence.